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Village of Rivalta

The visit to the Borgo di Rivalta starts from the Oratory of the Madonna del Ponte: a building with an unusual octagonal plan obtained from a medieval tower that was part of the drawbridge.

La visita del Borgo di Rivalta parte dall’Oratorio della Madonna del Ponte: una costruzione dall’inconsueta pianta ottagonale ricavata da una torre di fattura medievale che faceva parte del ponte levatoio. Di questo ultimo non rimane traccia, se non nel nome del luogo sacro. 

L’oratorio si presta particolarmente per mostre temporanee.​


La successiva tappa del percorso è la Torre Medievale, antico mastio che, un tempo più alta, costituì il primo nucleo del castello, ricoprendo il ruolo fondamentale di torre d’avvistamento e di residenza.

Passando l’arco ogivale si entra nel Borgo Medievale composto da fabbricati che vanno dal XIII secolo al XVII secolo. Un tempo, l’insieme delle costruzioni formava un piccolo centro artigianale: un borgo rurale perfettamente autosufficiente, con le sue botteghe, stalle, osteria e pollai.

To date the Borgo di Rivalta includes:

  • Church of San Martino

  • Hotel Torre di San Martino

  • SPA & Wellness

  • Rivalta coffee

  • Antica Locanda del Falco

  • La Rocchetta

  • Flavors & Legends


At the end of the slightly uphill road that crosses the village of Rivalta, stands the Church which still welcomes the prayers of the faithful today. It is dedicated to Saint Martin of Tours, born in Pannonia, now Hungary, and who became bishop of Tours, France, around 370. The church is mentioned for the first time in a document from 1025, but there is even those who have proposed, given that the origin of the cult of Martino dates back to that period, to place its foundation already in the Lombard era. The church was rebuilt several times following looting and destruction.

In fact, the cult of this holy preacher, opponent of paganism and founder of the first monasteries in France, spread throughout Western Europe and also reached Rivalta, where his image in terracotta bas-relief has dominated the entrance portal since 1500. This decoration, like those present in the courtyard of the adjacent castle and in Palazzo Landi in Piacenza, also comes from the furnace of the famous Cremonese Renaissance artist, Agostino De Fondutis.

Its current configuration is the result of the numerous reconstructions it has undergone, following the historical vicissitudes of the Rivalta Castle.
The apse, facing east according to tradition, overlooks the bed of the Trebbia river.
The façade is sober, with a gable roof, a single portal and a single opening as a source of light and the bell tower located on the side. Its interior is also characterized by extreme sobriety as if to demonstrate the aim of eliminating any superfluous or redundant element. There is a single nave, without a transept, marked by large transverse pointed arches with two chapels on each side and a roof, characterized by a frame of wooden beams.
Inside, between approximately 1760 and 1762, the decorations of the chapels were created by the decorator painter Giuseppe Turbini, the first on the left is the Rosary chapel which already existed since 1500 in which the statue of the Madonna with the child of the famous sculptor Jan Herman Geernaerth.

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